San Pierre Walnut Veneer Dining Table – Single Leg – Travertine Finish Sintered Stone Top 200x110cm
Ophelia Smoky Walnut Veneer Curved Dining Table
San Pierre II Walnut Veneer High Cabinet
Dunstan Statuario White Sintered Stone Rectangular Dining Table – Black Wooden Legs
Costanza Mocha Walnut Brown Wooden Dining Table
Desmond Dove Grey Fabric Counter Stool – Medium Brown Ash Legs
Antonia Dusty Beige Fabric Swivel Dining Chair
Port Lucienne Glossy Statuario White Sintered Stone Dining Table 240x118cm
Vania Statuario White Sintered Stone Dining Table – Brushed Bronze Legs 268x118cm
Sir Lionell II Gliding White Sintered Stone Round Dining Table – Walnut Brown Wooden Legs 150cm
Portobello II Murmur White Fabric Dining Chair – Toffee Brown Ash Legs
Archie Statuario White Sintered Stone Round Dining Table – Matte Black Leg 120cm
Costanza Mocha Walnut Brown Wooden Sideboard
Moulin Sand Beige Vegan Leather 66cm Counter Stool – Brushed Gold Legs
Fredrik Medium Brown Wooden Wine Display Cabinet
Archie White Sintered Stone Sideboard
Costanza Mocha Walnut Brown Wooden Entertainment Unit
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.